バッハ:ヴァイオリン・ソナタ BWV1017-1019
Gilone Gaubert, violin / Elisabeth Joyé, harpsichord
ジ ローヌ・ゴーベール (バイオリン) / エリザベー ト・ジョワイエ (チェンバロ)
- Sonata No. 4 for Violin and Harpsichord in C Minor, BWV 1017
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I. Siciliano: Largo
II. Allegro
III. Adagio
IV. Allegro - Sonata No. 5 for Violin and Harpsichord in F Minor, BWV 1018
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I. (Adagio)
II. Allegro
III. Adagio
IV. Vivace - Bach: Sonata No. 6 for Violin and Harpsichord in G Major, BWV 1019a
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III. Cantabile, ma un poco adagio
- Sonata No. 6 for Violin and Harpsichord in G Major, BWV 1019
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I. Allegro
II. Largo
III. Allegro (Harpsichord Solo)
IV. Adagio
V. Allegro - Bach: Sonata No. 6 for Violin and Harpsichord in G Major, BWV 1019a
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IV. Adagio
- ヴァイオリンとチェンバロのためのソナタ第4番 ハ短調 BWV 1017
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I. シチリアーノ：ラルゴ
II. アレグロ
III. アダージョ
IV. アレグロ - ヴァイオリンとチェンバロのためのソナタ第5番 ヘ短調 BWV 1018
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I. (アダージョ)
II. アレグロ
III. アダージョ
IV. ヴィヴァーチェ - ヴァイオリンとチェンバロのためのソナタ第6番 ト長調 BWV 1019a
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III. カンタービレ・マ・ウン・ポコ・アダージョ
- ヴァイオリンとチェンバロのためのソナタ第6番 ト長調 BWV 1019
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I. アレグロ
II. ラルゴ
III. アレグロ
IV. アダージョ (チェンバロソロ)
V. アレグロ - ヴァイオリンとチェンバロのためのソナタ第6番 ト長調 BWV 1019a
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IV. アダージョ
Total time 62:54
Gilone Gaubert
A Conservatoire Régional de Bordeaux graduate with the 1st prize in piano, also studied violin with Robert Papavrami in Bordeaux and Maryvonne Le Dizès in Conservatoire de Boulogne-Billancourt. She then joined Devy Erlih’s violin class at the Conservatoire National Supérieur de Musique (CNSM) de Paris, graduating in 1995. Fascinated by the interpretation of the early music repertoire on period instruments, she trained with Patrick Bismuth and Christophe Rousset.
Since 2005, Gilone has been concertmaster of Les Talens Lyriques under Christophe Rousset’s direction, with whom she has forged a solid collaboration. She has performed Bach concertos as well as Vivaldi’s 4 Seasons.
She is a founding member of Quatuor Ruggieri, which specialized in classical and romantic repertoire on period instruments. Their two recordings dedicated to George Onslow were critically acclaimed. In 2016, she co-founded Les Heures du Jour, passionately transcribing works for keyboard and voice, as exemplified in the CD “Winterreise” by Franz Schubert, released in February 2020.
Elisabeth Joyé
Elisabeth Joyé is a leading figure of the French harpsichord school. The press have praised her performances, mentioning great delicacy and a peerless touch as well as a constant striving for colours and expressiveness.
She learned her mastery of the keyboard from some of the greatest names in the harpsichord world, such as Gustav Leonhardt at the Conservatorium van Amsterdam, Bob van Asperen at the Royal Conservatory of The Hague and Jos van Immerseel at the Royal Conservatoire Antwerp, where she won a first prize with the highest honours.
After spending many years playing with various orchestras, Élisabeth now devotes most of her time to chamber music, along with harpsichord and organ recitals. She has made a large number of orchestral recordings, in particular with the Simphonie du Marais (conducted by Hugo Reyne), as well as recordings both of chamber music (Couperin, Bach, Blow, Purcell) and as a solo performer (Bach, Duphly, Fischer and a 17th century european program).
She taught both the harpsichord and the basso continuo at the Conservatoire Erik Satie in Paris from 1989 to 2023, at the Escola Superior de Música de Lisboa and has given master-classes in Europe, America and Japan.