Patrick Denecker, Recorder & Guy Penson, Harpsichord
パトリック・デネッカー（リコーダー）＆ギー・ペンソン（チェンバロ）
Arrangements of Bach’s keyboard works for Recorder and Harpsichord.
バッハの鍵盤楽器曲をリコーダーとチェンバロにアレンジした曲集CDです。
2023年9月29日～10月1日のたかまつ国際古楽祭会場にて先行販売されます。
Partita BWV 827
Fantasia, Allemande, Courante, Sarabande, Burlesca, Scherzo, Gigue
Sarabande BWV 818
Air BWV 813
Allemande BWV 810
Corrente BWV 830
Gavotte I/II BWV 808
Suite BWV 814
Allemande, Courante, Sarabande, Anglaise, Menuet I/II, Gigue,
Sarabande BWV 813
Gavotte I/II BWV 811
Passepied I/II BWV 810
Musette BWV Anh. 126 (C.P.E.Bach)
(Total time 67:51)
Arranged by Patrick Denecker except BWV 813 and BWV 814 by F. Miguel Jalôto.
BWV 813とBWV 814はF. Miguel Jalôtoによる編曲、残りの曲はPatrick Denecke自身による編曲版です。
Patrick Denecker is a Belgian recorder player who mainly focuses on performing and researching early music scores.
As a recorder player he logically ends up in the world of so-called ‘historical’ music performance, but according to him this should not be limited to Renaissance, Baroque or Classical. Every style, however recent, has its own zeitgeist and habits that can be studied.
As far as possible, he uses the most appropriate instruments for the chosen music. In this way he tries to empathize better with the world in which the compositions originated. Music also must remain a creation of the moment itself, without compromising on invention and fantasy and therefore ‘ancient’ or ‘historic’ are relative terms, especially with something ephemeral like music. Can one speak of ancient art when an old score is played? No, because it sounds now. Still, this makes it even more interesting to explore how a composition sounded when it was created and in what circumstances. In any case, personal freedom remains the most important to embark on this quest which is fascinating and leads to surprising results and will always differ from person to person and from moment to moment.
Patrick Denecker is founder of the ensembles LA CACCIA and REDHERRING.
In these formations, which have a very variable composition, he plays all kinds of recorders and old reeds.
Guy Penson
After his piano and harpsichord studies, Guy Penson gained great fame in the Belgian and foreign venues.
He distinguished himself in several international competitions, including the prestigious harpsichord competition in Bruges in 1980. He is a much sought-after harpsichordist and presents himself as a basso continuo specialist.
He has performed with various renowned ensembles and orchestras as part of the main European festivals (France, Netherlands, Scandinavia, Romania, Russia, Great Britain, Germany…), as well as in Canada, USA. from America and Japan.
In addition to solo recitals, he often performs in chamber music. The impressive discography of Guy Penson amounts to a hundred CDs at various labels (Ricercar, Polydor, Vox Temporis, RGIP, Hyperion, Passacaille, Musique en Wallonie ) with ‘Il Fondamento’, ‘Ex Tempore’, Ricercar Consort, “La Pastorella”.
His solo recordings, especially for Ricercar, were highly acclaimed in the Belgian and the international press.
Guy Penson is pianist-accompanist at the Royal Conservatory of Ghent.